Below is the song, Epirotiko Mirologi, from phantom violinist Alexis Zoumbas. He was born in Epirus, Greece in 1883. The following text is an excerpt from an article by Christopher King about the life of Alexis Zoumbas. Read the whole article right here.

Villagers and musicians from Epirus believe that a unique body of melodies, played principally with the clarinet and violin, give psychological healing to all those who listen to them: a harmonic panacea. The two tunes most strongly identified with Epirus are the mirologi and the skaros, both improvised pentatonic instrumentals, with free melody and meter but regionally defined tonal emphases and embellishments. They’re ancient and primal. The mirologi was originally a vocalized funerary lament, sung over the body or next to the grave of the deceased for several years until the earth consumed the flesh; after that, the bones were exhumed, bathed in wine, and placed in the village. Mirologi are found throughout ancient Greek literature, in the epic poems and tragedies. At some point, the keening of mourning women was transformed into an instrumental that’s central to Epirot music and culture. This dark, melismatic piece is played at the beginning and at the end of the traditional feast-dances in Epirus, the paniyeria. (From the Paris Review http://www.theparisreview.org/blog/2014/09/22/talk-about-beauties/)